With the repetitive chorus and the highly danceable bridges, the brassy song is a mashup of colorful beats and vocal belting. If you could find a song of the year that is more addicting than Red Velvet’s “Dumb Dumb,” you’re deluding yourself. This is where the term “squad goals” comes into play because, seriously, wouldn’t you want a to be around a group of people like them all the time? Right? Right. On top of this already head banging track, the featuring of artists like EE, Rap Monster, and Dino-J gave this track an extra oomph to an already killer song. Her rhymes are absolutely flawless and she always shows great strength and women empowerment. Usually, the only female, Yoon Mirae, always shows up to win, and she did indeed do that. Each artist’s flow is spot on and the transitions are perfect. The backbeat puts you in a trance, one in which will have you continuously bobbing your head, so much that it’ll feel like you’re doing an intense neck exercise. The hip-hop legends, Yoon Mirae, Tiger JK, and Bizzy, who together form MFBTY will have you saying “Buckubucku” while awake and even in your sleep. These two compliment each other very well it’s almost like they’re the missing pieces to one another’s puzzles.Ĥ7. Moreover, there’s always that possibility that when two solo artists collaborate, one will outshine the other, but this wasn’t the case. Everything from the harmony and the way the two play off of one another through the transitions of choruses truly bring joy to our ears (and heart). The feelings that were behind the lyrics as he rapped and sang were properly presented. It was fresh, different, and he did a marvelous job. If you’re slightly or very much so acquainted with Crush, then you knew he was going to fully deliver with his singing, but his rapping was a complete surprise. T does, he gets in your head and makes sure to stay there. T’s honey vocals are divine and sweet, easy to make just about anyone fall for him. From the moment that he starts singing, hearts instantly melt. T quickly sets the tone for “Just” with his smooth R&B voice. Hopefully the singer will stick to this mature concept and won’t make us wait another three years for a comeback.
#Closer song 2015 full
Because in an industry where the sexy girl groups are a dime a dozen, this woman put out a smooth jam that enchants the listener with her sultry vocals full of yearning - with SM Entertainment’s signature feminine and discreet sexiness.
As a result, we got a dreamy, minimal electro-pop song that featured the diva singing provocative lyrics in a sultry, deeper voice more adequate for her age bracket. K-pop’s queen BoA is known for her eternally youthful voice and image, but this year she changed things up with “Kiss My Lips” by trying something sexier. Matching a concept when it’s something as unsatisfying as a sleepless night is not exactly a great commercial choice, but thankfully it works so well artistically. The structure brings the song together conceptually, making it jittery and restless. This is a group making great use of their weaker vocals, it gives the deeper voiced Sojin a chance to sing a chorus, but not go beyond her own vocal means. With each new listen, the song grows though the drum beat intricacies and vocal infections become more pronounced. Its chorus is not immediately obvious and the members sing in a hushed tone that is unusual to modern pop music. 9Muses – “Sleepless night”ĩMuses scrape onto our list with their last single of the year “Sleepless Night.” At first listen, “Sleepless Night” is difficult to get your head around. So after a long consideration period and fights and disagreements among the KultScene staff, we’ve put together a comprehensive list of 50 of the top songs out of Korea this year. 2015 saw the return of many esteemed groups, the rise of non K-pop genres in the mainstream and popularized abroad, fresh debuts, and a lot of vintage sounds in the songs, a nice detour from the heavy electronic trend from recent years. This, of course, was awesome for fans, given that we were treated to a year filled with some of the best Korean songs released in recent years. Compared to last year’s K-popcalypse, artists in 2015 came back with a vengeance and with something to prove.
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